Saturday, November 21, 2015

Thea: The Awakening Review

Version Reviewed: 1.0 (steam)
What I like: It's a game not afraid to do things differently. Card-based conflict resolution.
Not So Much: UI makes many actions more inefficient than it should be. Lack of variety can make game feel a bit repetitive.
Other Stuff You May Like: Developers say they plan to expand via free DLC!
The Verdict: May appeal to players on the lookout for a strategy games that play differently than the norm and are willing to put up with UI inefficiencies.
About my reviews

Official site: Thea: The Awakening

Disclaimer: A review copy was provided by Muha Games.


The land of Thea has been plagued with darkness, but recently there has been a glimmer of hope. The sun has started shining, albeit weakly after years of absence. A small band of villagers has banded together, trying to survive, trying to rebuild a community. With the returning light, they are willing to move a little farther outside the confines of their village. At first glance Thea would appear to share similarities with games such as Civilization or Warlock, but it doesn't take long to figure out this isn't the case.

Looks like a Civ game, but don't judge a book by its cover.

Getting Started!

At the start of the game the player chooses a god, determining the perks that will be received. The god gains experience which carries over from game to game and grants more perks. A total of 8 gods are unlocked with play, but I'm not sure what the criteria is to unlock them.

Zorya is the fine lady who provide guidance during my initial quest to save Thea. With her earned experience she'll be even more powerful in the next game she's selected.

There are a handful of settings available to tweak different aspects of the game. Two interesting things to note are the Reshuffles and the Saves options. Conflicts are resolved by playing a card-based mini game. Reshuffles allow the player a 'do over' if they don't like the initial shuffle. Thea has an odd save game system. Thea will generate an autosave every 5 turns and when quitting the game. The Save option allows the player to also save any time. The odd thing is that there is only one save file at any time. This means that if you start a new game, your prior game is automatically ended. You can only have one game going at a time. I'm guessing this is because of the god unlocking system. In general this probably isn't a problem unless you like to have multiple games going on at once.
Changing the difficulty has an effect on the final score.

The tutorial and in-game manual do a nice job explaining the game's concepts. The tutorial guides the player with a series of missions, explaining concepts as needed. The manual provides a little more detail but doesn't go into all of the nuts and bolts. The developer was quick to fill in the details on Steam with the few questions I had.

Let's Play

In Thea you will only have one settlement. Always. Remember how I said this isn't like Civ? I wasn't kidding! In this settlement your villagers can gather the resources within the immediate vicinity, craft tools, cook food, and make weapons and armor. They are basically the support staff for your more adventurous people who go on expeditions. Don't equate staying in the village as staying safe though. Wandering bands of creepies will come and visit, so leaving some protection behind isn't just a good idea, it's necessary.

In the beginning the villagers won't have great equipment. They'll carry the most basic weapons (when they have one), most have no armor, and no tools to help them accomplish their tasks more efficiently. Crafting helps villagers become more effective by creating better equipment. The initial items available for crafting are very basic, but more are unlocked after acquiring research points.
Limited choices at the start open up with some research.

Each crafted item requires a recipe of ingredients. For example, clothing can be made up of a combination of string and leather. The basic variety of string and leather will create basic clothing. Using more advanced string and leather material creates better clothing. Unfortunately for your villagers, their initial supply of materials is of a limited quantity and quality. To craft an item, select the type, choose the resources and assign one or more workers. Presto! You get an item in a number of turns, based on the effectiveness of the assigned workers. A number of research points are also added to your pool, which will be used to unlock more crafting and gathering choices. Since research points are given for crafting, it feels like the little guys and gals are learning by doing instead of sitting up in some dusty library performing research.
Using different materials can create items with different benefits, weight, research points and labor required.
I could use basic string to create a shirt, but using scaled leather and vine creates a reptile vest, offering more protection and research points. As research unlocks more materials, testing out the different combinations becomes more time consuming. The min / maxer in me needs to test all of the combinations, even if the process can get tedious. It would be nice if the game kept track of tested combinations and what the effects were, maybe allowing the player to select a combination from a list. Without some pen and paper I can't remember what the different combinations do.

The settlement is limited to 10 buildings with a total of 9 types to unlock, so city development isn't a huge part of the game. Constructing buildings is handled the same way as crafting items, with the materials affecting the quality of the structure and the benefits it conveys.
Adults can contribute immediately, but when a child comes of age they can be assigned a class, which helps to fill a specific need.
Like any good human resource manager acknowledges, people are your greatest asset. You need people to collect resources, cook food, create weapons, build structures, fight enemies, talk their way out of jams, cure diseases, sneak past monsters...the list goes on. Matching people's skills to the right job can make life much easier. Each person has a class, which defines where they will likely excel. People in Thea have many attributes, and like mentioned above not all of the challenges are related to combat. Your buff soldier may be of little use talking her way out of a jam. It's pretty safe to say your party of villagers will encounter some combat, so having an adequate amount of warriors is paramount, but you never know what other skills will be of value. It pays to try and bring a diverse group of people on expeditions to cover the bases. The game needs a roster grid where villagers' skills can be easily viewed and compared all at once. Taking stock of villager skills requires clicking each one and taking note of their stats. Sometimes the UI is the biggest enemy you'll encounter in Thea.

Looking Outside Your Walls

Expeditions serve to explore the landscape for resources and points of interest. The group needs to bring food from town to avoid starvation, but can supplement their supply with foraging if a source of food is found. More resource deposits are available as research unlocks different resource types. There are also locations to explore, often accompanied with little text adventures. The available choices are driven by your party's skills. Combat, or some other type of challenge is often involved. 

Sometimes a little exploration can net some loot without fighting!

Like many games with inventory management, this is easily one of the more tedious aspects of the game. Each villager needs to be selected to determine what equipment they have. The new items have to be manually compared with the existing equipment to see which one is better. To make matters more difficult there isn't a way to highlight items recently added to the inventory, so it can be a pain to determine what the new items are. When only one new item is acquired it isn't difficult to remember what it looks like, but there are times when more items are acquired at once.

It won't take long to find a lair, which spawn groups of enemies that will harass your expeditions and village. Killing off the lair will remove one source of trouble and help acquire some loot in the process.

Sometimes there are options with how to handle an enemy. Non combat actions tend to be less risky as damage inflicted doesn't carry over after combat. Sometimes the are consequences for failing a challenge, so they aren't risk free. There is a general indication regarding how tough an encounter may be. Viewing your group and filtering the skills by challange type can help decide which may lead to the easiest success. I missed that filter for the longest time. Again, I wish there was a roster screen that displayed the abilities for all of the villagers at once, in a grid.

Events aren't always tied to exploring a location. Random events will occur throughout the game, and provide the opportunity for some choices - unless your party doesn't have the prerequisite skills. It's always a bit frustrating knowing there are some choices I didn't get, wondering what I was lacking. I don't mean this in a bad way. My curiosity gnaws at me knowing I'll never know the answer. Well, I may get the event again in the future when the prerequisites are met.

Be Prepared to Defend yourself

There are many situations that lead to combat. Your success will depend on the villagers' attributes, equipment, and your skill in the card-based combat. Before entering battle the number and types of enemies are revealed, but no information about them - even if you have fought creatures of that type before. Surely you can see if they are carrying spears instead of swords, or remember the piercing bite of the snake you've encountered earlier. You either need to rely on memory or take notes. 

Luckily the card-based resolution system is pretty fun to play. It begins with a planning phase. Half of the cards are ready to enter battle, and the other half can use tactical abilities to aid their comrades. Once the planning phase is done, combat moves to the resolution phase where damage is done.

The system is pretty simple, but has enough nuance to remain interesting throughout the game. Basically, each card has the ability to inflict and absorb damage. Also, their level determines if they can resist some tactical effects. Each side takes turns placing cards on the table, or using the tactical effects. It is these tactical effects that make the battles interesting.

There are 3 basic damage types. Slash damage has no unusual effects. Blunt weapons can use any remaining damage after a kill to damage a second enemy. Normally cards enter the battlefield from left to right, but a card that inflicts piercing damage is placed just before the last card if it is an enemy card. Kuba above has piercing damage so he can injure the Utopiec when he enters instead of waiting until the resolution phase. Since he's entering to the left of Utopiec, he'll get to attack before she does.

The cards on the right hand side are in the tactical group. They can't enter the battlefield ready to inflict damage, but they can use their abilities. First Action can move your last card to the front of the line. Support Ally increases the last ally's attack, while Shield Ally increase their defense. Counter Offense and Counter Tactic can remove an unplayed enemy card from the round. Confuse makes the enemy card skip a turn. So, the flow of the battle can change based upon the tactical skills used. Enemies can also have these skills. The AI seems to play a good game.

Once the planning phase is complete, cards attack from left to right. A card randomly attacks the closest enemy to either side, so it doesn't always play out how you want it to. If the battle isn't finished after 2 combat rounds, the cards that haven't had their health reduced to zero are reshuffled for a new planning phase. This means that your options can change as the battle goes on.

It's important to note that all conflicts are resolved using this card game - combat, diplomacy, hunting, etc...  Different attributes affect the outcome though. Damage and armor are used to inflict and absorb damage in a fight, but in a diplomatic challenge the attributes used are speech and willpower. The same tactical abilities are available, but are also powered by a different set of attributes. This is why it's important to have a diverse set of skills in your expedition parties.

The damage a character receives during a fight heal with time once the fight is over, or can be healed at a healer's hut. Each turn wounded villagers have a chance to die. If a medic is in the party it decreases that chance of death. Death seems pretty rare, especially with a healer in the party.

The card game succeeds and is an interesting, sometimes tense challenge. Choosing the order to play cards and the tactical abilities to use provides many opportunities to affect how the battles play out. The card mini game occurs many times over the course of a game of Thea: The Awakening. I had to start making use of the auto resolve when I expected an easy win, otherwise it started to get a little tedious at times. I didn't experience any unexpected results when I used auto resolve. It would be nice if each type of challenge had something unique to differentiate them from the other challenge types.

What Doesn't Kill You Makes You Stronger

Completing events and winning conflicts earns all of the villagers experience. When enough experience is earned, all villagers level up and each improves a random attribute. Class attributes are the most likely to improve, followed by any skill they already have. It's rare, but they can even acquire a skill unrelated to their class.

It shouldn't take too long before research unlocks an item - allowing different resources to be collected, new items to be crafted, or new buildings to be erected.
Resources further from the center are more advanced and offer greater benefits.

Construct new items for your villagers to use

Improve your village with a handful of buildings.

I found a nice spot to camp and collect resources, but realized I only have 1 person capable of doing so. If I can craft some gathering tools my entire expedition can contribute. It would help if I actually had the needed materials to create the crafting tools!

A nice spot for camping!

My expedition is short on gatherers.

And Then Night Comes

Usually 4X games have time scales measured in weeks, years or centuries. Thea is also different in this regard, having a day and night cycle. The landscape darkens, making it more difficult to spot enemies or points of interest. Creatures become more emboldened, increasing the risk of attack. It isn't Dying Light nighttime scary, but it is certainly more dangerous.
Expeditions need to return home to drop off any harvested resources and loot. That obsolete weapon can be broken down into some useful components used in crafting!

The End Game

The game can be won by following a series of story quests, or fulfilling a set of advancement criteria - population size, research, combat and building construction. I won my game with the story quest. The other criteria seems like it could take a while. 

Technical Performance / Non Gameplay

I haven't had any crashes since the game left early access. Turn times are fast since there aren't any competing AIs that require a lot of thinking, just the random baddies moving around the map. The graphics are attractive and music soothing.

There is quite a bit of writing in the game. It does a pretty good job of painting Thea as a world recovering from cataclysm. It is at its best when the tone is serious. Occasionally there are some morally ambiguous decisions. There is some silliness which didn't quite work for me.

My specs: Windows 7 64-bit. Intel Core i& 860 @ 2.80 GHz. 8 Gig RAM. ATI Radeon HD 7870.


Thea: The Awakening poses a problem for me. It contains an interesting set of features and isn't a copycat of other games of this nature. Well, I'm not sure how many games are exactly of this nature. It contains some 4X exploration, story based questing, a card mini game, resource collection and crafting, character management. It even contains a meta game of unlocking and leveling up the gods so they provide better bonuses.

The day / night cycle for a game this type is really cool. When darkness comes it is easy to stumble into a group of enemies and exploration is tougher. I can tell Muha Games didn't want to make the same game as everyone else.

There are many times the user interface gets in the way. A lot. Trying out different ingredients for crafting is both interesting and tedious. Same with cooking up different recipes of food - greater food variety gives bonuses. It's busywork. Did I combine fish with meat or bird meat already? Seaweed? Herbs? I can't remember. Party management requires a lot of clicking. Who can use this new sword? Select a person, look at their equipment, select another. Wait, who was the guy I wanted to have high dexterity? Click back through the people. The game needs a grid to view the skills of everyone at once.

Even something as simple as movement across the map is more frustrating than it needs to be. For some reason my group periodically leaves 'movement mode' and I have to reselect the command from the  popup menu. Resources can be difficult to see on the map, but toggling on the resource icons removes the movement point display and points of interest icons.

Still, I'm playing a second game and have played for over 30 hours. Sometimes I quit in frustration, but then start it back up later. If you like experiencing games that aren't the same thing rehashed 100 times and have patience to endure a sometimes difficult UI, then you may want to give Thea: The Awakening a shot. It isn't an expensive game with a regular price of $20, $16 until December 1st (on Steam). It's not a huge investment to try something different. But, if you need to be careful with your gaming dollars you may want to hold off for now.

Sunday, September 6, 2015

Big Pharma: Review

Version Reviewed: 1.00.04 (steam)
What I like: Setting up complex production lines within the space allocated. Having multiple ways to deal with some problems. Some tense moments provided by the AI competitors.
Not So Much: At times some clicks don't want to select an item. Ingredient discovery was a little bland.
Other Stuff You May Like: Free build mode and custom game setups.
The Verdict: Seems like a good choice for anyone interested in setting up and tweaking production lines in a confined area.
About my reviews

Official site: Big Pharma

Disclaimer: A review copy was provided by Positech Games and Twice Circled.


As a child, didn't you dream of finding the right natural products in forests and deserts and developing them into effective treatments for the world's maladies? Well, neither did I - but that doesn't mean it can't make for a good game! The main draw of Big Pharma is solving logistical and spatial problems, slightly similar to SpaceChem. Big Pharma requires the player to layout machinery and conveyor belts within a limited space to transform a drug's ingredients into a profitable (and hopefully effective) drug. Layered on top of this is managing a simple research tree, finding new drug ingredients, protecting your products with patents and managing cash flow. The game is presented as individual scenarios with varying goals, separated by difficulty, which can be played in any order. Additionally you can create a customized game, adjusting many parameters, including setting multiple victory conditions. For those who like to build without worrying about managing their money, Free Build is probably for you.

Each scenario has 3 victory levels to give the player different goals that they can shoot for. Since the scenarios aren't locked, there isn't a penalty for failing other than hurting your pride. Certain aspects of the game are randomized, so replaying a scenario isn't the same exact experience even if the overall structure is the same. This could make a given replay more or less difficult than others, but I never found it to be unfair. Big Pharma could use an online leaderboard for score chasers like myself.

Getting Started!

Big Pharma's tutorial does a good job illustrating most of the game's mechanics. I felt prepared to tackle the game's first scenario, finishing with an expert victory. The tutorials don't cover the more advanced equipment, but it isn't difficult to figure out how to use them. Even though the game's rules aren't that complex, it could use a manual or in game help so the player could refer back to the concepts covered in the tutorial without replaying it. Most items do have the relevant information within the game, but a manual would still be helpful.

Let's Play

Deciding what disease to treat can be based on different factors and the goals of the scenario. Available cures are determined by what ingredients your company has discovered. Simple cures only require one ingredient, while more complex cures can require multiple ingredients and more advanced instruments. Complex cures require more work, but can offer greater monetary rewards.
At the beginning of this game I have the ingredients to treats coughs or diabetes.

How to decide where to start? Well, each of those treatments have some values associated with them. It appears that treating coughs will bring in more revenue since its value is higher, driven by the demand for the treatment. It's not quite as simple as that because your revenue will also depend on how effective the treatment is. Profits will also be affected by how efficiently the ingredients can be processed into the drug, because each instrument in the assembly line increases the product's cost. It isn't always obvious what the stumbling blocks might be before trying to discover a new cure, kind of like real life I guess. Pharmaceutical companies have to go through a lot of drug discovery before finding one they can bring to market. The game captures that a bit.

Ingredients also have side effects which can hopefully be mitigated. An ingredient that soothes coughing may also cause nausea. Side effects can be avoided, or at least mitigated by adjusting the concentration with instruments, or combining ingredients in different ways. More advanced techs in the research tree open up more ways to overcome obstacles.

This drug didn't take too much processing because its concentration only needed to be slightly reduced so it would treat coughs. The result was put into pill form and shipped out of the factory. Ingredients and products can only enter and leave the factory at particular locations, and space is a precious commodity. How the equipment is laid out really matters. The game probably won't appeal to those who don't enjoy solving these logistical and spatial puzzles. I find them interesting. Ultra efficiency isn't required, at least to achieve the easier victory conditions.

When the game isn't paused, time ticks by in daily increments. Ingredients are imported and move along the conveyor belts and processed by the different equipment installed on that product line. Each of those actions costs money, which is deducted from your company's cash. When the product leaves the factory the company collects the income. Keeping an eye on your cash balance is necessary because you don't want to run out in the middle of creating a production line. Loans provide a quick influx of cash in a pinch.

Things get more interesting when cures require adding multiple ingredients.Ingredients can have up to 4 different effects. When two ingredients are combined and have an effect in the same position, one effect will be preserved and the other thrown away. The player can choose which ingredient is the base and have its effects preserved. This is one way negative traits can be removed from a drug. One of the instruments even lets a drug's effects be shifted one position to another to help engineer the desirable traits into the drug. More powerful options exist too.

Getting Some Feedback

Once a drug is in production, some time is needed before determining how effectively the ailment is treated or how prevalent any side effects are. Crikey! A little less than half of the customers using the product below get any cough relief and more than 20% are nauseated. This adversely affects the cure rating which results in less money collected for each unit shipped. Adjusting the concentration can affect how much our drug helps the ailment, or how frequently our customers get nauseous. At this point the best concentration isn't known, but we can find out with some research!

Over time with more data collected, the cough suppressant was even worse than initially feared. It only helped about 33% of the people who took it while still making just as many nauseous. It earned an E rating cutting into its profitability even further.

Expanding Your Knowledge

Hiring scientists costs money and keeping them on payroll drains profits, but they are necessary to get access to better equipment. They can also reduce your operating costs. In the early game it's easy to overextend yourself by hiring too many people. As CEO, you decide when it's time to pursue more advanced technologies. The analyzer tech helps solve the problem with the cough suppressant above and maybe find a concentration where coughs are better suppressed while making the customers less nauseous. 

In this case, utilizing the analyzer revealed that the concentration the cough suppressant works best also makes the most people nauseous! There are ways to mitigate this after researching the proper tech, but it's not always wise to increase the cost of making a drug since it's not always profitable. The resources can probably be better utilized for pursuing other treatments.

Some cures are more financially rewarding than others. Higher tier cures require more processing to bring to market and may require some equipment that must be unlocked with research. Researching an agglomerator enables me to transform my cough remedy into a more profitable asthma treatment.

You Are Not Alone

We're not talking about aliens here, but other companies. While you're busy developing your own products, they are too. They'll fulfill the demand for treatments and buy ingredients (which affects their price). Hey! They're also producing a cough remedy. I'm not sure if the other companies are actually playing out the game with the same rules as the player or if they're more of an abstraction since they operate in the dark. With some espionage tech more information is revealed about what they're doing.

Placement Does Matter

Most of the challenge resides in processing the ingredients efficiently to produce the desired effects and then getting the instruments' inputs and outputs lining up in such a way the ingredients can be moved along the production line from the points of import to the place the product is exported from the factory. Conveyor belts can't cross over or under one another so it's quite possible to paint yourself into a corner. The instruments can be rotated, but they can't be flipped, so it can be difficult to align the inputs and outputs in a way that keep your design neat. These situations may be able to be fixed by adjusting the instrument layout, or researching equipment so fewer instruments are needed to process the drug. Instruments can be moved around at will, but the conveyor belts must be sold off for a loss. It's a small amount of money in the grand scheme of things, but it would be nice if the player could lay out their plans to experiment before committing to them and paying the money. Sometimes these situations can be frustrating, but it's just part of the difficulty and the rules of how Big Pharma works. It may just be that I'm spatially challenged.

After researching more powerful instruments to adjust drug concentration I was able to bring an asthma medication to market. Unfortunately my competition beat me to it. Using the analyzer I was able to determine the concentration the drug will be most effective, without any side effects! Without researching the new instruments, I don't think I could have fit the asthma product line within my current building. Now it's time to expand my factory.

Decisions, Decisions

One of the things I like about the game is that I always seem to be considering something - the next cure to pursue, how to improve the cure grade of an existing product, when should I research the analyzer so I have more insight into the products I'm creating. Should I borrow money so I can afford another product line or some researchers. 

For the most part the interface supports the decision making process, but there are a couple places it falls short. Scientists can reduce the cost of running a particular type of instrument. To make that choice, it is helpful to know how many of each machine is in use so it can be determined what will save the most money. The only way to do this is to count them manually. Ingredients are handled a little better because that screen shows how many units your company purchases, but there isn't a screen that aggregates that information, so you need to do quite a bit of clicking.  

Even on a beginner scenario things can get pretty involved. I think my slow starts are preventing me from getting the Master ranking, so even the beginner levels can provide a challenge when going for the harder victory conditions.

The game really shines when playing the advanced scenarios. The higher tech equipment leads to more interesting ways to combine and process the ingredients.

Some Other Minor Complaints

In the beginning and middle of the game, the play speed isn't much of an issue because I'm usually involved managing the business in some way, but there are times I wish I could make the game run faster. It can run in the background, so it's possible to take a break and do some web surfing, but having the possibility of a faster game speed would be nice. Big Pharma should take a cue from a game like Europa Universalis that have very speedy fast forward levels.

The game also pops up some world events, which seem to just increase or decrease the demand for particular cures. Sometimes they don't really last long enough to make product line adjustments based on them, so they more or less just feel like random perks or penalties to a company.

The music is upbeat and perky, but either the tracks sound similar or there aren't a lot of them. Each time I pay attention to the music it feels kind of samey. It's not a big deal since the music can be muted once you get tired of it.

Technical Performance

I didn't encounter any major issues, even with frequent alt-tabbing out of the game. The game does seem to have problems registering clicks on items sometimes, such as it I'm trying to select an item on the conveyor belt. The icons at factory import and export points also get it the way at times and make it difficult to select what's near them.

My specs: Windows 7 64-bit. Intel Core i& 860 @ 2.80 GHz. 8 Gig RAM. ATI Radeon HD 7870.


I went into Big Pharma expecting to enjoy the game and I wasn't disappointed. The game focuses on setting up the production lines - it really isn't a business sim, but I don't think the game suffers because of it. There is plenty to think about. It can be very satisfying to tweak a production line to operate more efficiently, or to engineer out one of the pesky side effects. Probably do to my inability to think ahead, I'd have to re engineer my plans to overcome an obstacle I didn't anticipate.

On the first advanced scenario, money was much tighter and the game provided a tense challenge. Sometimes competing against the AI feels arbitrary, maybe because they're mostly just messages that pop up. I don't feel like they're going through the same process as me. They are effective though - I would curse them when they patented a cure that was on my production line and they provide for some interesting moments.

My two main wishes are more fast forward levels and an online leaderboards so I can chase my friends' scores. Another nice touch would be to have a 'random' setting for each parameter when setting up a custom game. Many times games are more enjoyable if the player doesn't know quite what to expect and have to adjust their play once they discover what's going on.

I've read some people's complaints about the amount of content included in Big Parma and I don't get where they're coming from. There are many scenarios, taking hours to complete. Setting up a custom game offers more play for those who want it too.

So, if you enjoy setting up and tinkering with production lines, my guess is that you'll like Big Pharma.

Thursday, May 14, 2015

Pillars of Eternity: Review

Version Reviewed: (steam)
What I like: Story and dialog. Attractive world. Some aspects of combat.
Not So Much: Combat has too many mobs. Pretty easy on hard difficulty. Not all features fleshed out.
Other Stuff You May Like: Lots of options to tweak how much info is presented.
The Verdict: A RPG worth playing due to the world building and story. Should appeal to fans of Bioware's Infinity Engine games such as Baldur's Gate. Combat can be enjoyable and tactical, but difficulty is uneven.
About my reviews

Official site: Pillars of Eternity

Disclaimer: No disclaimer. My copy was purchased for me by Desslock. Thanks!

This review was written by myself and first published on


RPG fans have been eagerly awaiting Pillars of Eternity's (PoE) release since its successful Kickstarter campaign. It's familiarity to Bioware games, such as Baldur's Gate is unmistakable and not accidental. Obsidian Entertainment made it clear from the get go that those games were a huge inspiration for PoE. Back in the day some of those games were among my favorites, combining interesting stories, characters and fantasy combat. Obsidian took that formula and added some modern sensibilities. Did it capture the same magic, or did it roll a 1 on the ol' 20 sided die?

Birth of a Hero

Like most games of its ilk, PoE starts the player off giving birth to the persona they will be channeling as they explore the new world. There are many ways to tailor your character right from the start. Each of the 6 races have various strengths and weaknesses and also grant perks - such as wood elves' affinity for ranged attacks, or the death godlikes' ability to ratchet up the pain on wounded foes. Selecting one of the 11 classes has the largest influence on how your character will perform in combat, providing an assortment of abilities. For some reason I always feel the need to play as a fighter in most RPGs, even though some of the other options are more interesting. Since your party can also contain up to 5 supporting characters, getting to experience other classes isn't a problem. Control freaks can hand craft each companion, or you can invite some of the people you'll meet on your journey to join your party. Even though I tend to be a control freak, I went the latter route and wasn't disappointed, as Obsidian did a great job imbuing them with personality and their own interesting quests to complete.

Flog the First, pensively considering what may lie ahead.

This Ain't Your Grandpa's RPG

For better or worse, PoE is based on a brand new system created by Obsidian. Those familiar with games based on Dungeons and Dragons will have some learning and unlearning to do. The in-game information is a pretty reliable source. Many elements have tool tips, open information windows when clicked, or are covered in the Cyclopedia. The manual however was out of date. Is it really that hard to provide up to date digital manuals? 

I think the system works well enough and provides several areas for tactical consideration. Create tanks with high constitution and deflection to weather attacks, a squishy wizard with high intelligence to lob spells from the back lines when not firing his pistol, or a chanter who buffs your party constantly while gaining access to spells over time. There really is a lot of variety between classes. At times I had the feeling that the effects of attributes in combat were too small, and the random number generator too large. Just a feeling I had.

Beginning Your Journey

Obsidian makes their world come alive with beautifully detailed environments and music. The story is told through narrative, rich conversations, and detailed lore found throughout your travels. There is a lot of reading for those who want it, but most of the detailed descriptions and background lore can be skipped if you'd like. Still, there is a lot of dialog, some voiced and some not. While the majority of the voiced dialog was done well enough, it was awkward to follow along with the text at times. The text often contained unvoiced descriptions, so you'd either have to skip them to keep up, or try and read them as the speaker moved on without you. It's a small problem, but was annoying. At times I found the writing a little too flowery, but in general it did a great job of building up the world and history. I'm not qualified to critique the technical aspects of the writing, but I consider it one of the game's strengths.

Slash, Crush, and Pierce Your Way to Victory

Combat is typically one of the major aspects of a computer RPG and it won't be long before your first encounter. Like the games that inspired it, PoE offers real time pausable combat. Even with the many options to automatically pause the game during combat, I felt it was too fast paced - and yes I did turn on the option to automatically slow down the game's speed while in combat. Sometimes attacks are going on simultaneously. I frequently wanted to examine the results of each attack. The combat log (which can be turned off) shows quite a bit of information, but unless you're pausing frequently you won't have time to examine it.

The combat log is a great tool to analyze your performance. Utilizing the tool tips it's easy to see if your fighter is missing because his accuracy is less than his target's deflection. Maybe your rogue is connecting with his bow, but not causing much damage because that skeleton is resistant to piercing damage.

One nice touch is that as you defeat more of a particular enemy, information is added to your bestiary. This can be consulted before a battle to try and plan for the strengths and weaknesses of your enemies. These enemies don't scale with your party, so the information is always applicable for that particular creature.

A lot of skeletons fell before my party, so the bestiary contained complete information.

Greater flame blights weren't so common my bestiary is sparse.

Much of combat is about controlling the battlefield. Fighters excel at engaging multiple enemies, preventing them from doing an end run around your front lines and getting to the squishy types in the back. Some of their special abilities allow them to occupy more enemies, which is useful against the large groups you'll encounter. When fighting indoors it is much easier to retain control, choosing to engage in a narrow doorway. It can be more difficult outdoors where spaces tend to be wide open. Some spells and abilities need a clear shot to the enemy, so working your wizard around to the flank is necessary to avoid blasting your front line. Others can be lobbed over the top. The UI works well for managing these attacks.

That's not to say there aren't some frustrations. Sometimes units can't reach their target and it isn't obvious that the space is too small to navigate through. At times characters don't respond to commands and it isn't obvious why. In general these don't happen so frequently that they spoil combat. Since there isn't any scripting, battles do tend to require a fair amount of micromanagement - if the encounter isn't easy.
An opening volley against a large group of undead

Things start to deteriorate when the enemy wizard charms my priest and wizard.

As I lose my squishier allies and my fighter moves to take care of the enemy wizard, the battlefield becomes more chaotic. Note the combat log tool tip showing attack rolls.
In the battle above, my plans became disrupted when my 2 party members were charmed. Most abilities and spells can't be cast out of combat. My priest has a spell that helps protect against being charmed, but I have to wait until combat begins to use it. This limits what can be handled during pre battle planning. You could try to fire your spell of quickly to protect the party in time once hostilities commence.

Other than the positional challenges, the main focus is deciding who to target and bringing attacks to bear on the enemy that will be effective. A heavily armored enemy might be very resistant to slashing damage, but weak against lightning. Some abilities can be used a number of times per combat, while others can be used a number of times per rest. This system is supposed to force the player to make tough choices. Do I need to use this ability for my current fight, or should I save it for a more difficult one? I feel that this is really only a convenience tax because the player can rest anywhere (if they have the camping supplies). If they don't it just means a trip back to a store to buy some, or a rest in the tavern. It is only slightly tedious to make runs back to an inn since travel can be accomplished pretty quickly. I don't know what a good solution to this problem is, other than balance the game so abilities can be used a number of times per combat.

For me the biggest problem with combat is the uneven difficulty. I completed the game on Hard (only Path of the Damned is more difficult). While the early game provided frequent challenges (the first 5 out of 12 levels or so), most battles became a cakewalk where I could just group select my characters and target an enemy. Once they go down, click on the next one. I don't envy Obsidian, because it has to be a difficult thing to balance. Maybe Path of the Damned would have been a better choice for me, but I didn't want to switch it mid review. Another option could have been to only use 4 characters in my party instead of 6, but I wanted to hear what the other characters had to say as I progressed through the game. So, with some experimentation perhaps a better balance could have been found. If you're a veteran of this type of game and like more of a challenge, I'd recommend trying Path of the Damned.

I actually preferred the action point system in Divinity Original Sin, but didn't like Divinity's over reliance on environmental effects and exploding barrels. So while I think Divinity's system is better, I feel PoE's actual content was more enjoyable.

Practically all experience points came from completing quests, so there is no need to grind through combat just to gain skills. Once an enemy is cleared it doesn't re spawn.

Let's Talk it Over

The dialog system is another area that shines. I've already mentioned how it is well-written, but it also adapts to your main character. Some dialog choices are only present based on meeting some attribute or skill value. Sometimes it may be your race or class that provides more choices. It's hard to tell on a single play through how much it actually affects the game, but it sure feels like it is personal. Dialog choices can even affect how people perceive you - such as being honest or aggressive. You can even configure whether you see dialog choices your main character doesn't qualify for - and yes, it does only consider your main character. At first I was a bit disappointed the entire party wasn't considered, but I decided having this limitation makes your choices more meaningful. There were many conversations where I agonized over what choice to make.

Some Other Minor Complaints

In general I found weapons and equipment to be too similar to each other. It was rare that I got excited for a new find. Also ranged weapons seemed pretty powerful, where a single volley from my back row would turn an enemy into bloody bits. Many times I didn't even bother casting spells or using abilities since the ranged weapons were so effective. Maybe this is related to how easy much of the combat became on Hard and spells and abilities would be more important on Path of the Damned. Don't get me wrong, there were still difficult battles, but much of it was trivial.

This isn't really a criticism, but more of a preference. After playing games such as Dragon Age: Inquisition, which I loved despite the weak combat, exploration from an isometric perspective just doesn't have the same impact as being immersed in a beautiful 3D environment. While Obsidian did a great job with the artwork, I wasn't wowed, like I was exploring in Inquisition. Exploring a map in Pillars is kind of like scratching off a lottery ticket. I slowly move back and forth across the map, revealing interesting locations along the way until the entire contents are revealed.

Some of the systems didn't seem fully fleshed out. The stronghold you acquire is essentially a money sink. There is a long list of improvements that are essentially meaningless. You can build upgrades that give perks when resting there, but the paid rooms at inns offer better bonuses. Shops can also be added to provide more options for buying equipment, but I never found them to be worth visiting. It felt like a feature that was added because they had to, but didn't have the time or resources to put a lot of effort into.

The enchantment system was also pretty limited. It could have been more interesting had there been more choices, if some of the equipment varied in the amount of enchantments it could hold, or allowed multiple enchantments from one of the three categories. 

Technical Performance

I had one freeze when a new map was loading, but no other big problems. Even on a SSD drive, loading times were a little annoying, especially since it occurs whenever a building is entered and exited.

My specs: Windows 7 64-bit. Intel Core i& 860 @ 2.80 GHz. 8 Gig RAM. ATI Radeon HD 7870.


Despite some of the issues I had with the combat and other features, Pillars of Eternity is well-worth playing. It would be hard not to recommend it to fans of the old Bioware games. The primary strengths are the story and dialog, allowing the player to put their own stamp on how it plays out - or at least giving the appearance of doing so.

I feel the combat shined in the early game. There was a particular encounter when I was still a party of one where I had to scrape by, by using some consumables. Without them I would have lost, but I was rewarded with victory by intelligently using the resources at my disposal. These types of occasions were more common in the early game. I'd also prefer fewer, but more powerful enemies then the hoard of creatures frequently encountered. The details of the combat system get lost when the battlefield is too chaotic. If you can find the right level of challenge by adjusting the difficult level or the number of members in your party, combat is a rewarding part of the experience.

The  isometric presentation feels limiting after playing a game such as Dragon Age: Inquisition, but the environments were attractive to discover. I think many RPG fans would find aspects of Pillars of Eternity to enjoy and the strengths outweigh some of the weaker elements. Pillars of Eternity isn't game of the year material in my estimation, but it doesn't need to be to enjoy it.

A big thank you to Desslock for providing me with a copy!

Tuesday, April 14, 2015

The Vanishing of Ethan Carter: Review

Version Reviewed: 1.0.10706.0 (steam)
What I like: Wow it's beautiful! Nice ambient sounds and music too. Several fun puzzles.
Not So Much: A lot of walking around and searching for items to examine.
Other Stuff You May Like: About the right length for this type of game.
The Verdict: The presentation is top notch and the few meaty puzzles that are in the game are enjoyable. The story is interesting enough to pull you along. Worth playing if you can handle a lot of walking through the environment not doing much at times and can appreciate the above strengths.
About my reviews

Official site: The Vanishing of Ethan Carter

Disclaimer: No disclaimer. I purchased my copy.


Call me shallow, but I was attracted to The Vanishing of Ethan Carter for her looks. Before I started playing, I'd heard a little bit about the game. I knew people praised it's looks - who wouldn't! I knew that there wasn't a lot of game play in the game - also true. What I didn't know is if it was a game worth my time. I'm not a big 'adventure gamer'. I used to be in the days of Sierra Online - King's Quest and the like. This was the perfect type of game for me to pick up on sale, because I didn't know what to expect.

Looks Aren't Everything, But They Sure Do Help

I stepped out into the forest, a light fog slightly obscuring the trees in the distance. Beautiful. Even with anti aliasing turned up from the defaults the frame rate was good. Through out the game I kept my eye on performance and other than an occasional stutter it remained a pretty solid 45-60 fps. Since there isn't any action in the game this was more than sufficient.

Later when I emerged from the forest, the view was equally breathtaking.

OK, so we kinda new she was going to be a looker before we even met her. Does she have anything of substance to offer?

Examining What's Below the Surface

This is primarily a game about discovering the narrative, piece by piece. Information is gradually revealed through notes, newspaper clippings, narration, and other information you discover as you move through Ethan's world. As you'll soon discover, much of the game involved finding objects to examine and sometimes placing them in a particular location. No, you don't really have an inventory and these aren't intended to be tricky. It's pretty obvious what to do with an object if it has a place to use it. 

Some of the areas are wide open, and it isn't always obvious where to go. Having this freedom of movement makes the environment feel more real - but it does lead to some wandering. Eventually there is an invisible barrier that let's you know you're straying too far. Early on in the game, I didn't know if I had discovered everything I needed and ended up backtracking. I was right, I had missed something. Objects related to a given puzzle or narrative sequence tend to be in the same general area. Knowing this would have saved me a little bit of time, but there isn't any guidance in the game. This never caused any major frustrations as things are mostly straight forward.

After an hour or two, I was afraid the entire game would be like this. Strolling through the landscape, examining items, getting bits of story and moving on. The story had me interested, but typically that isn't quite enough to keep me going. I like to do stuff. I need something to solve, if nothing else. Luckily there were several puzzles that fit the bill and I enjoyed them a lot. The first puzzle you encounter really isn't so much a puzzle as a little series of interactions. So don't get discouraged, there are some better ones to come.

Parts of the game can be a little gruesome and I was OK with that. The game didn't really throw it in your face and it never seemed out of place. 

The game saves automatically after you've solved a particular set of clues or puzzle, so there is the potential to lose a small amount of progress. Since the game only took me about 5 hours to complete this was never really an issue, but if you know you will be quitting soon you probably want to do it right after an autosave.

Taking time to enjoy the sights.

Technical Performance

Other than some occasional stuttering, which was generally after alt-tabbing, the game ran smoothly.

My specs: Windows 7 64-bit. Intel Core i& 860 @ 2.80 GHz. 8 Gig RAM. ATI Radeon HD 7870.


I'd put The Vanishing of Ethan Carter as a close relative to Dear Esther (which I didn't like at all) and Gone Home (which I thought was pretty good). The game is definitely more about the narrative than puzzle solving, but 3 puzzles or so were quite enjoyable. While I was wishing I had more to actually do, the beauty of the presentation, the story and smattering of puzzles made the game worth playing. At 4-6 hours it neither wore out its welcome nor felt too short for the type of game it is. I think if you enjoyed the other two games I mentioned The Vanishing of Ethan Carter is worth a look. Having a little more 'game' to it may also make it worth playing if the thought of wandering around examining things doesn't turn you off too much. As a whole I'm happy with the time I spent with it.

Wednesday, March 18, 2015

Child of Light: Review

Version Reviewed: 1.0.31711
What I like: Unique combat system, artistic style and music
Not So Much: Story starts off dull, rhyming feels painfully forced sometimes.
Other Stuff You May Like: Several characters to switch between in combat, light crafting
The Verdict: A beautiful looking and sounding game with a unique feeling that has some weaknesses. Not for everyone but I'm glad I stuck with it.
About my reviews

Official site: Child of Light

Disclaimer: No disclaimer. I bought my copy.


Child of Light is a difficult game to characterize. Starting off it seems like it could focus on being a platformer, but after extended play the platforming aspects of the game are fairly light and lack difficulty. The game has a significant amount of storytelling and beautiful music. There are RPG elements - attributes, combat skills, leveling up and some mild crafting by combining gems (Oculi in game terms). These combat skills are put to use in a very unique combat system. These elements combine into a game which is beautiful, unique, tactically challenging and touching - but also sometimes tedious with a narrative that feels forced. I almost quit halfway through, but am quite pleased I stuck with the game.

The game offers two difficulty levels Casual and Expert. I tend to like games that challenge me in some way, so I played through the entire game on Expert. Casual exists for those wanting to take in the story and artistic presentation without needing to worry about the difficulty. Since I only played on Expert I can't comment on the difficulty of Casual. 

The World of Lemuria

Your journey through Lemuria will take you across various beautiful landscapes, accompanied by atmospheric environmental sounds. The artistic appeal of Child of Light never disappoints. Some areas are somewhat linear, others a bit more open. Not all paths are easily noticed as you pass on your way. Attention to detail is rewarded with loot chests and power ups, so it's wise to keep your eyes open.

The start of an adventure in the forest.

Platforming is simple - move a crate to reach a higher ledge, time your moves to avoid thrusting spikes. At times you need to utilize Igniculus, a helpful elemental, to disable obstacles in your path. Even making a mistake during these sequences never really spells disaster since Igniculus can heal any damage taken. I never took enough damage that it lead to my death. It seems the platforming is there to provide some sense of danger without ever really making it so.

As you move through the world, Aurora (the little girl you control) or companions you meet along the way reveal comments inspired by their surroundings, parts of the main story, or tidbits about their own personal plights. At times these are welcome and well done - sometimes touching or otherwise contributing to the storytelling in a positive way. The dialog and story bits are always presented in rhyme. In many places this works well and gives the tale a storybook feel. Other times they feel forced, with awkward words which makes the narrative harder to follow - even disjointed.

Even though the backgrounds are essentially 2 dimensional, Aurora can take some paths that have some depth to them.

Have a Little Help from My Friends

As mentioned earlier, you'll meet some companions along the way - the first being a firefly (elemental) names Igniculus. Igniculus is different from the other companions you meet. Other companions only participate in combat or appear to tell parts of the tale. Igniculus remains on the main screen with you as you explore the world. He'll follow you around automatically, but at times you'll also take direct control of him to reach an area Aurora can't reach or to assist in some other way. I played with an XBox 360 controller, but mouse and keyboard controls also exist. The controller felt natural. The mouse and keyboard felt OK too in the small amount of time I spent using them.

Aurora, meet Igniculus.
Igniculus can glow, which has different effects depending on the situation. While exploring, he can heal Aurora or even blind enemies so combat can either be avoided or let Aurora and her friends start with the upper hand. Wishes found along the way recharge his ability quickly, or they can slowly recharge over time.

Lemuria is not a Safe Place for a Little Girl

There will be times when enemies will block your path. Using Igniculus to blind them will let you avoid the combat, which may be OK if playing on Casual. Skipping too many encounters would lead to trouble on Expert for sure because the experience points gained from combat allow Aurora and her companions to level up so they are prepared for more challenging enemies.

Get him when he's not looking!

Attacking enemies from behind gives Aurora an initial advantage in combat. It's also possible for enemies to gain the advantage, but in general if you're paying attention this probably won't happen a lot. 

It's Like Choreographing Dance, but More Deadly

Combat takes place on a tactical combat screen, pitting up to 2 of your group members against up to 3 enemies.

See that bar along the bottom? You'll want to pay attention to that. Each participant moves along that bar based on their speed. When they reach the red area, it's time to select their action. This can be a physical attack or a spell of some sort. These actions are unlocked as they level up. While there aren't a huge number of different skills, they are varied - single and group attacks, healing, paralyzation, speeding up, slowing down and more. These actions also take up a different amount of time and here is where the dance begins.

When someone is attacked while they are in the red portion, their action is interrupted and they are moved towards the left on the bar. Interrupting actions is a great way to gain an advantage in combat. Since Igniculus can slow down an enemy's advancement, deciding when to use this power is an important tactical choice It isn't always advantageous to slow an enemy down because then they may not be in the red area when the attack is executed. Juggling Igniculus between enemies, planning which attack to use, deciding what ally to swap into battle are all part of this intricate dance. You do get a chance to stop and think since time pauses when it's one of your characters turn to attack. This combat system felt different from any other game I have played.

While I could generally stick with the 2 characters I liked the most in combat, they all had their uses. This could be due to their different skill set, or due to the fact that injured allies could be replaced during combat. One more step in this intricate dance.

Add the use of potions to buff, debuff and heal and combat provides many options. Enemies were varied enough to require new tactics, but there were times when there were more encounters with the same type of enemy than I wished to fight. Since I needed the experience points, I felt obliged not to bypass the combat. Luckily I never needed to grind and fight the same enemies repeatedly. I obtained enough XP by winning each encounter once. Even on Expert difficulty most of the combat wasn't that hard, but there were difficult encounters that tested my mettle.

Well, it is Tagged on Steam as an RPG...

Leveling comes pretty frequently, coming with attribute increases and a skill choice. Character advancement wasn't one of the more interesting parts of the game. Attributes level automatically. The skill tree is essentially just a progression down 1 of 3 paths, either unlocking a new skill or improving an attribute. I generally just picked 1 branch and stuck with it, but there were times I went partway down another branch to unlock a skill I wanted. Each character has their own unique skill tree, but there is some overlap with the skills.

Another RPG element is some basic crafting and equipping of Oculi (gems). Most of the gems provide some type of elemental damage or protection, but there are some more varied effects. Since some enemies are more susceptible to certain types of damage it pays to try and get beneficial match ups.

Visuals and Music

Child of Light excels in both areas. Each environment has touches of detail that bring them alive and are a joy to travel through. The music is one of the few soundtracks I'd listen to outside of a game. Check it out here and you can buy it here.

An ominous looking area.

Happy after looting a chest.

Much easier to get around when you can fly.

Stopping to have a chat with a friend.

On unsuspecting enemy keeps guard on the left.

Technical Performance

No crashes or any other hiccups experienced - even with frequent alt tabbing!

My specs: Windows 7 64-bit. Intel Core i& 860 @ 2.80 GHz. 8 Gig RAM. ATI Radeon HD 7870.


For me, the strengths of Child of Light were the unique combat system, visuals and music. I almost quit playing after tiring of forced rhymes, and a story I wasn't that invested in. Around the middle of the game, I started enjoying the story a bit more. There were times when the story touched an emotional chord. 

Combat could become a little repetitive, but a new challenge usually wasn't too far around the corner so I persevered during those times. The music in the final battle was like a reward for my persistence. Controlling the flow of combat with Igniculus was rewarding in its own right, just as much as selecting the right characters for a particular encounter and making smart skill choices.

A new game+ mode exists for those looking for more, but I think it is a 1 playthrough type of game. A playthrough which I enjoyed more than I first thought I would.